The MORRISONGALLERY
8 Old Barn Road
Kent, Connecticut 06757
860.927.4501
Hours
weds-sat 10.30 - 5.30
sunday 1-4
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ALBERTO
MANCINI | Bio
(complete CV coming)
Exhibition
& Awards
- 1978 – Solo exhibition - Atina,
Italy
1980 – “Capocci” award Settefrati, Italy
1981 – Historical show on 1945 Italian Resistance
Venice, Italy
1981 – Group Show, “Prigioni Vecchie” Palace
- Venice, Italy
1981 – “Giudecca” award - Venice, Italy
1982 – “Leone d’oro” award” - Venice,
Italy
Biography
Alberto Mancini (1960- ) is from the small
town of Atina, located in the mountains of southern Italy where
his family has lived for 400 years. His father, a portrait
photographer, taught Mancini to draw at a very young age, and
encouraged him to experiment with a variety of media. Mancini
had his first art exhibition at the age of 15. The work displayed
was of figures and landscapes in oil.
In 1973, Mancini began his studies in architecture
at the University of Architecture in Venice, the most influential
in Europe. While in Venice, he was encouraged in his painting
by some of the most important Italian intellectuals and artists.
At this time, he began to develop a particular style and technique
that would be recognized as “rigorous, without colorful
exaggeration and focused on imagined signs.”
His painting, at this time, was devoted
to the exploration of nature and the nature of things. Mancini
also worked in theater design while in Venice. He exhibited his
work in several individual and group show and began earning recognition
for his unusual and eloquent style and subject material. In 1986,
he earned his degree in architecture, along with many academic
awards for his exceptional work.
After graduation, Mancini returned to the
mountains of southern Italy to begin a family and to practice
architecture. He also continued to paint and to accrue critical
attention and prestigious awards including the “Leon d’Oro
Assessorato alla Cultura.” In 1997, his work was exhibited
in what was called “the most important exhibition ever
organized in the Lazio region [near Rome].”
Mancini has been described as both poet
and painter. The Italian poet and essayist Alfonso Cardamone
said “Mancini masters his technique…he is modern
because he meticulously deconstructs images…he goes beyond
every post-modernism and is never influenced by banality and
self-complacent insignificance.”
UP |